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Critique
Journal of Socialist Theory
ISSN: 0301-7605 (Print) 1748-8605 (Online) Journal homepage: http://www.tandfonline.com/loi/rcso20
The Spectacle and Détournement: The
Situationists' Critique of Modern Capitalist Society
Julian Eagles
To cite this article: Julian Eagles (2012) The Spectacle and Détournement: The
Situationists' Critique of Modern Capitalist Society, Critique, 40:2, 179-198, DOI:
10.1080/00111619.2012.664726
To link to this article: https://doi.org/10.1080/00111619.2012.664726
Published online: 20 Apr 2012.
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Critique
Vol. 40, No. 2, May 2012, pp. 179198
´
The Spectacle and Detournement:
The Situationists’ Critique of
Modern Capitalist Society
Julian Eagles
The rise of the so-called ‘anti-globalization’ movement saw a renewed interest, amongst
some sections of this movement, in the ideas of the Situationists. The Situationists
developed a global critique of modern capitalist society. With this in mind, this article
assesses the coherence of the Situationists’ critique as a global theory of social change. In
the article I examine the Situationists’ concept of the spectacle by undertaking an
‘immanent critique’. The article argues that a tension exists between the two central
claims of Situationist theory: that modern capitalist society, compared with capitalist
society prior to its emergence as ‘the spectacle’, has stronger powers of domination and
mystification; and, that proletarian revolution is highly likely to take place against
spectacular society. It is suggested that, within the framework of Situationist theory,
this tension can be lessened provided proletarian revolution is considered as a process
that is not entirely spontaneous. Further, it is argued that, if Situationist theory is to
account not only for a transient ‘proletarian revolution’, but also for the possibility of a
revolution that endures, then a (nonspectacular) revolutionary avant-garde would need
to be conceptualized as an organization that intervenes more than the Situationists
suggest.
Keywords: Spectacle; Situationists; Debord; Vaneigem; Alienation; Consumption; Freud’s
´
Theory of the Instincts; Proletarian Revolution; Detournement
This article examines the Situationists’ concept of the spectacle.1 I consider the
following central claims of Situationist theory: (1) that modern capitalist society,
1 The Situationist International (SI) was founded in 1957 and dissolved itself in 1972. It was formed by
‘artists’ who had previously been members of various European artistic avant-garde organizations. The group
initially concerned itself with culturally subversive activities. By the early 1960s a more ‘politically’ orientated
strategy was developed in a quest to realize the unification of art and life. Throughout the group’s existence,
12 issues of the magazine Internationale situationniste appeared. Just prior to the May 1968 uprising of students
ISSN 0301-7605 (print)/ISSN 1748-8605 (online) # 2012 Critique
http://dx.doi.org/10.1080/00111619.2012.664726
180 J. Eagles
compared with capitalist society prior to its emergence as ‘the spectacle’, has stronger
2
powers of domination and mystification; and (2) that proletarian revolution
is highly likely to take place against spectacular society. The article is divided
into three sections. In the first section, I present a brief outline of the Situationists’
concept of the spectacle prior to Guy Debord’s formulation of an ‘integrated
spectacle’. In the second section, I discuss how spectacular society functions. In the
third section, I examine the issue of resistance to the spectacle.
I
The Situationists argued that capitalist society had become a society of the
spectacle. With the rise of the spectacle, a new stage of capitalist development
had begun. Capitalist society had reached a stage of economic development
whereby a post-capitalist society could now be created, a society communist in
orientation, and based around the orderly, and yet free, development of playful
activities.3
The essential feature of the spectacle is the rule of the commodity form over lived
experience.4 This came about as the productive forces developed under capitalism,
giving rise to economic growth. An economy of shortage was transformed into an
economy of abundance. In this context the commodity came to dominate areas of
social life where, hitherto, it was absent.5 It is at the point in history when ‘the
6
commodity completes its colonization of social life’, that the Situationists consider
spectacular society emerges.
and workers in France, the group’s two major theorists, Guy Debord and Raoul Vaneigem, published the
following books: Guy Debord, The Society of the Spectacle, transl. Donald Nicholson-Smith (New York: Zone
Books, 1995 [1967]) (also transl. Ken Knabb (London: Rebel Press, 2004 [1967])); and Raoul Vaneigem, The
Revolution of Everyday Life, transl. Donald Nicholson-Smith (London: Left Bank Books and Rebel Press, 1994
[1967]).
2 See Norman Geras, ‘Essence and Appearance: Aspects of Fetishism in Marx’s Capital’, New Left Review, 65:
(1971) 6985, for a discussion of commodity fetishism and its imposition on people as domination and
mystification, which he suggests are ‘intimately related’.
3 Vaneigem, op. cit., pp. 256258.
4 Debord, The Society of the Spectacle, 1995 and 2004, op. cit., paras 3638; Ken Knabb (ed.), Situationist
International Anthology (Berkeley, CA: Bureau of Public Secrets, 2006 [1981]), pp. 167168, 179. Within the
Situationists’ oeuvre both the claim that the spectacle dominates all lived experience and the claim that the
spectacle dominates almost all lived experience are made. When the thought of the various Situationist
thinkers*whilst the Situationist International remained in existence*is taken into consideration, I think that
the broad thrust of Situationist theory suggests that the spectacle dominates almost all lived experience. Indeed,
Debord, commenting on his book The Society of the Spectacle 20 years after its publication, summarized his
earlier view of the spectacle and remarked that in its diffuse form ‘a small part’ of society ‘escaped it’ (Guy
Debord, Comments on the Society of the Spectacle, transl. Malcolm Imrie (London: Verso, 1990 [1988]), p. 9).
Although we must bear in mind that Debord made this comment 20 years after his book was published, I think
that it does nevertheless encapsulate the general stance of the Situationist group.
5 Debord, The Society of the Spectacle, 1995 and 2004, op. cit., paras 40, 41.
6 Debord, The Society of the Spectacle, 1995, op. cit., para 42.
Critique 181
There are two forms of spectacle, the concentrated and the diffuse*
although Debord did revise this in the 1980s with his notion of an ‘integrated
7
spectacle’. The diffuse spectacle ‘is associated with the abundance of commodities,
8
with the undisturbed development of modern capitalism’. The societies that most
readily fit this description are the industrially advanced capitalist societies of the
West. In the concentrated spectacle commodity production is less well developed, and
capitalism is highly bureacractized.9 The societies that fit this description include the
so-called ‘communist’societies (such as in the USSR and the Eastern bloc, China and
Cuba), Fascist regimes in industrially advanced societies*during ‘moments of
crisis’*as well as various societies in the underdeveloped world.10 With these two
forms of spectacle, the Situationists declared all societies around the world to be
dominated by the spectaclecommodity economy.
Debord argues that, prior to the emergence of spectacular society, there was a
‘spectacular aspect’ to separate or hierarchical power within human societies that
had established a social division of labour and had formed classes. This spectacular
aspect concerns religion and its imagery. Religion is the ‘outcome’ of a socially
divided world.11 It is the projection of human beings’‘own powers’ into another
world*heaven.12 These exiled human powers then return to dominate human beings
in an alien form, God, and this alien power justifies hierarchy and social division in
13
the real world. Debord suggests that, before the emergence of spectacular society,
the ‘frozen ... imagery’ of religion*including, presumably, its visual imagery*
offered the materially impoverished masses ‘an imaginary compensation’ in the
form of a mythical paradise in heaven.14
For the Situationists, the society of the spectacle arose in the 1920s.15 At this time
modern capitalist society had a level of technological development that enabled the
‘religious mists’ to descend to earth in the form of the spectacle. As Debord writes:
The spectacle is the material reconstruction of the religious illusion....
The absolute denial of life, in the shape of a fallacious paradise, is no longer
projected onto the heavens, but finds its place instead within material life
itself.16
Workers, in the capitalist production process, have their powers ‘snatched’
from them; they create an abundance of products which come back to dominate
7 Debord, Comments on the Society of the Spectacle, op. cit., p. 8. In this article I shall not, owing to
limitations of space, deal with Debord’s thought following the dissolution of the Situationist International (SI);
or, indeed, the post SI thought of Vaneigem.
8 Debord, The Society of the Spectacle, 1995, op. cit., para 65.
9 Ibid., para 64.
10 Ibid., para 64.
11 Ibid., para 25.
12 Ibid., para 20.
13 Debord, The Society of the Spectacle, 1995 and 2004, op. cit., paras 20, 25.
14 Debord, The Society of the Spectacle, 1995, op. cit., paras 20, 25.
15 Debord, Comments on the Society of the Spectacle, op. cit., p. 3.
16 Debord, The Society of the Spectacle, 1995, op. cit., para 20.
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