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Types of Ethnographic
Writing
Gullion, Jessica
Smartt
2016Writing Ethnography.
Roterdam, Boston,
Taipei: Sense Publisher
1.
Realist Adalah apa yang oleh Van Maanen
(2011: 46) sebut sebagai "suara
Tales resmi,“.
Apa yang digambarkan oleh peneliti
adalah apa yang dilihatnya atau
dianggap “benar-benar terjadi" pada
kelompok yang diteliti.
Focus: Gamelan Music of Indonesia is an
introduction to the familiar music from Southeast
Asia's largest country - both as sound and cultural
phenomenon. An archipelago of over 17,000
islands, Indonesia is a melting pot of Hindu,
Buddhist, Islamic, Portuguese, Dutch, and British
influences. Despite this diversity, it has forged a
national culture, one in which music plays a
significant role. Gamelan music, in particular,
teaches us much about Indonesian values and
modern-day life. Focus: Gamelan Music of Indonesia
provides an introduction to present-day Javanese,
Balinese, Cirebonese, and Sundanese gamelan
music through ethnic, social, cultural, and global
perspectives. Part One, Music and Southeast Asian
History? provides introductory materials for the
study of Southeast Asian music. Part Two, Gamelan
Music in Java and Bali, moves to a more focused
overview of Gamelan music in Indonesia. Part
Three, Focusing In, takes an in-depth look at
Sundanese gamelan traditions, as well modern
developments in Sundanese music and dance. The
accompanying CD offers vivid examples of
traditional Indonesian gamelan music
2
Etnografi confesional dimulai dengan
mengungkap kisah di balik proses
Confessional penelitian dan membantu
Tales menyelesaikan beberapa masalah yang
muncul ketika kita memproblematisasi
penggambaran realis.
Dalam kisah semacam ini, peneliti
mengungkapkan kehadiran dalam
narasi.
Penulis menjelaskan bagaimana dia
pergi melakukan penelitian, dan
termasuk diskusi sudut pandang
peneliti, bias, dan subjektivitas.
"Turkish Metal" journeys deep into the heart of the
Turkish heavy metal scene, uncovering the
emergence, evolution, and especially the social
implications of this controversial musical genre in a
Muslim society. The book applies the approach of
'thick description' in order to study social and
cultural change in a Muslim society that is stricken
with conflict over the, by turns, religious or secular
nature of the state. "Turkish Metal" explores how
Turkish metalheads, against all odds, manage to
successfully claim public spaces of their own,
thereby transforming the public face of the city. The
book raises the question of how and why the young
dare to rebel against the prevalent social and moral
restrictions in Turkish society; and it examines
whether they succeed in asserting their individual
freedom in a society that is still well-known for
sanctioning any kind of behaviour deviating from
the norm. Above all, the book investigates the
Turkish metal scene's potential for contesting
Islamic concepts of morality, its relevance within
the field of female emancipation, and its capacity to
foster social relations that cut across national,
religious and ethnic boundaries.
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